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THERE WERE LOVES IN HALICARNASSUS...

 

I started to like sending photographs to the exhibition gallery in Göltürkbükü website.

I like going through the archives, finding the photographs that I like, scanning and sending them, and seeing them altogether in the web-site..

It is not unlikely that the memories are awakened in the meantime,of course..

I found the black and white photograph of Bodrum(Halicarnassus) Monastery while looking for pictures I like the other day.
I took that picture with great pleasure and realized that the monastery was about to crack in the middle after taking the picture. I informed the Manager of the Museum Oğuz Alpözen about this. Bodrum Museum was working on a shipwreck at that time, and O. Alpözen was dealing with that. He got interested. I immediately went to Ankara to visit the deceased Ahmet Taner Kışlalı who was the Minister of the Culture then and told him about the monastery and I think the monastery was strengthened and saved with the fund he sent.

I don’t know if the monastery is still there, because I have not been to Bodrum for exactly 20 years.

Did I not go because I did not get a chance to? No, it’s because I did not want to go there... The reason being, Bodrum was not the Halicarnassus I knew a long time ago. Instead of seeing my people with their new faces, I prefer to see them in the photographs I took in those days. There was a big difference between what I am told about Bodrum now and the Halicarnassus I lived in.

No, no.. I do not say these to critisize. It just does not suit me....

The death rate started to increase among the native people of Bodrum towards the end of the 1970s. When I talked to Rauf Birol, who was a businessman and owned a house by the sea in Cumhuriyet Caddesi, as a native of Bodrum, he told me "When people from Istanbul and Ankara started moving to Bodrum, the lifestyle and the eating habits changed too, the natives canot keep up with this and die consequently".. I cannot forget this explanation, which includes a little bit of humor and a little bit of critisizm, because according to what people say, there are no natives left in Bodrum. Whoever I see, whoever I talk to has a house, a partly owned residence, a small bay or a small island. There are even people I know of who have mansions built in coves reachable only by water planes. Bodrum is not Halicarnassus anymore...

I visited Bodrum between the beginning of the 1970s and December 1981 almost every year, often. I have had very good friendships there, I met some nice people and continued to see some of them and did not see some others ever again. Some passed away.

There was Hayatlı Kaptan. He did not know how to swim. He moved to Bodrum when he heard that Bodrum was attracting tourists, learned to drive a a small sail boat and started to earn his living by taking tourists around. We used to go to Poyraz Port in October and November, which were not busy months, to drink raki with octopus hunted and beaten well by Ömer. I heard later that Hayatlı Kaptan fell off the boat on his way back from Poyraz.. He was drunk. He drowned because he did not know how to swim...

HUK was "Symbol of Halikarnas" for our period. He had long hair like an Indian’s and a feather attached to a band on his head. He was believed to be a retired banker, he died there. He drank too much raki and had his picture taken with almost all of the tourists in Bodrum in the 70s.

Mustafa Yeşilova, the author of the novel “KOPO”, was the famous police chief of Halicarnassus. After serving in the East, he settled in this town he moved to as tourism police chief and passed away here. We had a long conversation about his book, which was published by Milliyet Yayınları in those years. With his own handwriting he wrote down the answers to some of my questions and gave it to me. I still keep them.

Bahattin Kaptan was as handsome as the Greek Gods. Women loved him. He was a good friend of Ömer Birol who introduced me to him. He had a boat called Yaralı Ceylân (Wounded Gazelle). There was not a cove we had not seen in the vicinity with the boat. We used to go to Bardakçı frequently. The sea was exactly turquoise color in Bardakçı. Zeki Müren used to come over too, we listened to him sometimes, he used to tell us things.

Zeki Müren had a house with a very beautiful garden; my passion for begonvil flowers started after I took the pictures of the flowers in that garden.

Bahattin Kaptan had a father who had very big hands, and I was told that he was a sponge catcher. I often used to see him at the coffee shop by the sea on Cumhuriyet Caddesi; I used to sit at a table closest to the sea if not the closest, at any table and wrote poems.

Our frienship with the famous Turkish poet İlhan Berk had started in Halicarnassus too. I used to go to his house at the opposite bay. His cheerful wife, Edibe Hanım always offered me something to drink or eat. İlhan Berk on the other hand used to go from room to room without wearing a shirt and with his uneasy manners said ”let me read you this poem." I learned a lot from him on poems and women. God be with him.

I met Ahmet Sel, a distinguished Turkish photographer in Paris, at the house of İlhan Berk in Halicarnassus. We became very good friends and have been seen each other for years. He was here recently. He took pictures of the Russian cemetery and Russian Temple in Nice, France.

Ali Güven is the person who invented and made the best of the Halicarnassus sandals. I hear that he is still there.
His sandals were very expensive; tourists paid him well, which increased his prices quite high, this is the reason why I wore his copies for years. Finally in 1979 I had a pair of Ali Güven sandals. He used to have an English girl friend called Virginia. When I was going to England in 1979, he gave me her phone and address and sent a pair of sandals as a gift.
Later we became very good friends with Virginia but years passed then. I received a new year card from her 15-16 years ago and I didn’t hear from her again.

Cemil Eren, an artist from Ankara had a house at the beginning of the beach in Türkbükü. We used to go there and he brewed tea for us. Once, next to a picture of a gull he painted at the courtyard, he made my portrait with graphite and I took its photo. Thanks God I took it; I’ve found out there is a holiday village or something similar where his house used to be! Oh my God ...

I was the one who opened the first exhibition at the Museum of Bodrum Castle. The exhibition hall at the entrance did not exist then. For this reason I exhibited my photos at the garden of the higher courtyard. Füsun Orçun cut and drew the backgrounds of the Faces exhibition one by one. İlhan Berk, Güzin Özipek, Salih Kalyoncu, Cemil İpekçi and many others were at the opening... It was a very hot and exciting opening. After this exhibition in 1979, I did not open any other photo exhibitions any more because as you can see from the photos in Göltürkbükü website, I have not kept the same theme but
pictured various themes. Whereas years ago I got influenced from the door drawings of Cemil Eren and wanted to take pictures of doors a lot. This is the reason why the photo of the door of the Orkide Hairdresser at Cumhuriyet Caddesi is so important to me. And the deep scars of a passion that started that year (1976)...

We lived beautiful days with the artist woman whom I fell in love with in 1976 in Halicarnassus at the white skinned, blue framed house at a narrow Bodrum street. Then we went to İzmir and our passion blew apart. The woman I mention mostly in my published poetry books is the same woman.

I knew the famous Turkish poet, the late Cahit Külebi from the Association of Turkish Language in Ankara but my only conversation with him was at the balcony overseeing the sea at the hotel he was staying at a time he came to Bodrum for his vacation. I remember that he read me his beautiful poems. The famous Turkish artist Avni Arbaş too used to visit Bodrum and stayed at the MaçaKızı pansion. From time to time I went up to his room and watched him painting the pebbles he collected from the beach. And there was Mr.Müntakim. He was a serious man and had a house by the shore.
He was an ex-communist and everyone respected him. I used to pass in front of his house early in the morning, expected him to call me in and liked listening to what he would tell me while drinking coffee.

The most important place in Bodrum was Raşit’s Coffee Shop at the port. In the evenings he used to call out "Çaylaaaaar/Teeeaaaa" but in the mornings Raşit was more silent. I heard that the coffee shop is no longer there!
That is Halicarnassus is no longer there...

Think of it, how can I go to Halicarnassus now? None of the memories I left behind are there . . Giritli İbrahim (İbrahim of Crete) did all these...

It was 1978. I was a private secretary at the Department of Turkish Highways. The 37 km Milas - Bodrum touristic road project was approved. That road opened and Halicarnassus has all of a sudden become today’s Bodrum. When I look at the photos at Göltürkü.com, I look at a place I don’t know at all, I don’t recognize the place. I am sure many others just like me don’t know the place either. When I last met İlhan Berk at Lodevé, he said "it’s been a very long time since I came out of that house" and it seems to me that it is impossible to find the address he gave me. Is what I have obsession? But in Halicarnassus I left behind:

· A youth
· Loves and one big love
· Lots of "first"s


And Halicarnassus wiped it all away, I heard, and you know the sandal maker Ali Güven... he got old!...


I wonder if the places I mention still exist: In the street of bars, No. 7 Orhan Abi’s, is it still there? Is Han Restaurant still there, Zümrüt used to work there, I know that she does not work there anymore. Is Yaralı Ceylân (Wounded Gazelle) still there untouched? Can you hear Zeki Müren singing at the Bay of Bardakçı? Or can you hear him at a Bodrum night, if not the songs, have they kept the walls where his laughters hang? There used to be Melengeç Newspaper in Bodrum, we had our poems published there, what happened to it? Mehmet Sönmez cannot draw pictures anymore because he is long dead now. How
we enjoyed the bottles of raki that he drew, he had found the perfect blue.

All these I mention are a Halicarnassus. For most, those days (70s) that is
Halicarnassus is long gone...
Cüneyt Ayral

 

 

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